The New Generation Of Banging Hardtechno
The New Generation Of Banging Hardtechno
FAQ
Search
Memberlist
Usergroups
Galleries
Register
Profile
Log in to check your private messages
Log in
The New Generation Of Banging Hardtechno Forum Index
->
NGoHT /Hungary/
Post a reply
Username
Subject
Message body
Emoticons
View more Emoticons
Font colour:
Default
Dark Red
Red
Orange
Brown
Yellow
Green
Olive
Cyan
Blue
Dark Blue
Indigo
Violet
White
Black
Font size:
Tiny
Small
Normal
Large
Huge
Close Tags
Options
HTML is
OFF
BBCode
is
ON
Smilies are
ON
Disable BBCode in this post
Disable Smilies in this post
Confirmation code: *
All times are GMT + 2 Hours
Jump to:
Select a forum
HTA Radio Intensivestation
----------------
HTA Radio /Revolte-fm.de
Other HT Radio
Tracks
----------------
Rulez > Read First
Hardtechno,Schranz Tracks
Techno Tracks
SpeedCore Tracks
Hardcore & Experimental Style Tracks
Minimal,Electro,Progressive,House,Chill,D`N`B Tracks
Vinyl/CD/Net Releases
----------------
New Releases
CD Releases
Net Releases
Labels Info
Web DJ Shops
Top Charts
Conversation,Fun,Humour,News
----------------
International Area
Off Topic
Funny Videos
Introduce yourself
Producing & DJing
----------------
Remix Content
Producing & DJing
Samples and loops
Mixing - Live Sets , live Acts
Top Producers and DJs
Software and Hardware..
Free Upload Sharing - Links
Tips and ....
Parties, Events, Clubs & Locations /Stream
----------------
Parties, Events, Clubs & Locations
Pics From Events
Videos From Events
Best Producers
----------------
Heroes Of Hardtechno
Friends of HTA
----------------
Friends
HTA Producers & DJs /Friends
----------------
Dariush Gee
Michael Random
Hexor
TRIVIAL Bookings [Spain]
Acid Flux
NGoHT /Hungary/
Giveway Records /England/
Albert Kraner
Salva Trucha
Boris Naumann
Benur
Teknicity
SpeeDevon [Speedcore]
DestroyER
sChranzkurwa
Rhytmical Overdose
Bednarz
Ekström
Arkus Vitt
Schranzao aka DJ Schranzer
Instigator
XhÈ
Kill Brothers
KRUDEL Team
DJ Sakit
Topic review
<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>colu4ote9kd</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Fri 9:58, 08 Apr 2011<span class="gen"> </span> Post subject: air jordans 6 A Telephone Call By Doroth Jordan 6</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">Read on <br />Parker Ignore “Rules” of Fiction Writing <br />Dorothy Parker&rsquo;s story, “A Telephone Call <a href="http://www.jordanshoesale.net/air-jordan-6-vi" target="_blank" class="postlink">air jordans 6</a>,” is a black comedy based on a common situation—inside a quiet apartment, a woman waits impatiently for a telephone call from a man she has recently slept with. The action of the story takes place entirely inside the woman&rsquo;s head, while in the visible world nothing changes from the first line to the last. Because of the ubiquity and clarity of the premise—man pays attention to woman, man and woman have sex, man disappears <a href="http://www.jordanshoesale.net/air-jordan-2011" target="_blank" class="postlink">Air Jordans 2011</a>, woman becomes anxious—the narrative requires very little explanation or backstory. <br />Judging theoretical alternatives for works of fiction is impractical, but it can be tempting to ask questions after reading a piece like, “A Telephone Call,” that so brazenly ignores a “rule” of fiction like “show, don&rsquo;t tell.” What would happen if the story switched from monologue to backstory in order to create a scene, to allow for “showing?” Maybe Parker would have kept us amused during a flashback, but the story might have lost some of its essential urgency. If the main character slowed down to recall the time she and the man first met <a href="http://www.jordanshoesale.net/air-jordan-6-vi" target="_blank" class="postlink">Jordan 6 VI</a>, for example, she may have left the panicked, psychotic monologue that is the root of the story, that carries it to the last reckless moment, “Oh, please, dear God, dear kind God, my blessed Father in Heaven, let him call before then. Please, God. Please. <br /> Traditional Black Comedy <br />Narrative Pacing <br />Readers basically understand what has happened and how the woman feels from the first sentence, “Please God, let him telephone me now,” and so the writer is free to thrust directly into the comedy of the story—the inner ranting and raving and circular thinking and illogical jumps and desperate prayers of a woman who has lost her power. <br />Dorothy Parker&rsquo;s Comic Monologue <br />What makes the piece a black comedy in the tradition of Dostoevsky in Notes From The Underground and Poe in “The Tell-Tale Heart” is the moment-by-moment illumination of a character dealing with a situation that is at once commonplace and unexpected, like a failed sexual relationship, or a death. Each of these works relies almost exclusively on narrative “telling,” that perilous companion to the lauded device “showing,” wherein events are described by a narrator, rather than depicted through dialogue. All three succeed without “showing” because the humor in them is based on a character trapped in his or her own mind, going insane under the weight of guilt or nerves. <br />The story&rsquo;s humor is built on daring use of repetition, rapid pacing, wild rhetorical leaps from line to line, and the juxtaposition of pathetic hopes and brave insights, all of which illustrate the crazed thought process of the main character. On page one, “He couldn&rsquo;t have minded my calling him up. I know you shouldn&rsquo;t keep telephoning them—I know they don&rsquo;t like that. When you do that, they know you are thinking about them and wanting them, and that makes them hate you.” On page three, “I&rsquo;ll be the way I was when I first met him. Then maybe he&rsquo;ll like me again. I was always sweet, at first. Oh, it&rsquo;s so easy to be sweet to people before you love them.” <br />A Familiar Situation <br />The first paragraph of “A Telephone Call” ends with, “Only let him telephone now. Please God. Please, please, please.” The indented next line is, “If I didn&rsquo;t think about it, maybe the telephone might ring. Sometimes it does that.” Readers recognize this thought—they may have had it themselves, though they hate to admit it.</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/subSilver/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
fora.pl
- załóż własne forum dyskusyjne za darmo
Powered by
phpBB
© 2001, 2005 phpBB Group
Regulamin
FAQ
Search
Memberlist
Usergroups
Galleries
Register
Log in to check your private messages
Log in