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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>jkkhtfd1314</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Wed 3:30, 04 May 2011<span class="gen"> </span> Post subject: Five Fingers 2011 Oil Painting Tips - Different Me</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">RCOAL <br />Charcoal works beautifully as a prelude step to oil painting. There are 3 main forms of charcoal used most often by artist's and they are ziped, willow and vine charcoal. Willow and Vine charcoal tend to be more extremely preferred for prelude drawings as they depart a lighter mark and are easier to wipe. Compressed charcoal, because it leaves a many darker line, is extra tough to remove and not as widely secondhand to start an oil painting. Some advantageous tools to use for going with charcoal are kneaded erasers, stiff bristle brushes,<a href="http://www.fivefingers2011.com" target="_blank" class="postlink">Five Fingers 2011</a>, blenders and tortillions. Whatever type of charcoal drawing you create, make decisive not to work overboard with your application. Charcoal is very forgiving with oil paints, but also much, and it can achieve the paint in harmful ways. <br />PAINTING ON A TONED GROUND <br />Depending ashore the type of ultimate picture you are working towards, sometimes the white of the canvas can be too bright or have too much compare which makes starting a painting rather difficult. Using a uniform toned ground on your support, will make it much easier to magistrate the values in your painting. You are greet to use any color you like to tone your canvas. Some of the more renowned tones are warm reds, yellow and browns. <br />Toning your canvas is pretty straight along and will not require namely many period. Here is one sample using one of my favorite tones. First build a thin wash using Yellow Ochre and Burn Umber. Apply the wash apt your aid generously. Use a massive bristle brush to spread and cover the patronize fully. Allow the wash apt dry as a pair of minutes and then wipe off the excess with a cloth. You don't have to use fuels to tone your canvas. You can tone your canvconsist in ... anyone of the water mediums narrated below. <br />ACRYLIC PAINT <br />Acrylic paint is an excellent choice for starting an oil painting and one of my favorites. One of the most attractive traits of acrylic paint is its quick drying time. This attribute of acrylic paint makes blocking in your underpainting very simple. Ideas can be worked out immediately on your canvas and instead of waiting days for your underpainting to dry, you are ready to paint in mere minutes. This truly does rely on the type of acrylic paint you are using and how thickly you apply it. Not merely is the fast drying time attractive, but as in other water based mediums, there is no need to thin the paint with dangerous substances like turpentine. <br />WATER SOLUBLE PENCILS <br />Water soluble pencils cater an eminent access to begin an oil drawing primarily for of their versatility. The prettiness of this middle is that when dry, it doings like a regular colored pencil, yet while water is joined, it magically mimics the properties of water color. This enables the artist to either paint detailed lines as well as create chromatic washes. <br />WATER SOLUBLE OIL PAINT <br />Many artists are not that versed with this last medium as its a relative novice to the globe of painting. Enter, water soluble oil paint. With normal oil paints, a orthodox means for beginning a painting is at diluting the oil paint with turpentine to apply washes. The problem with turpentine is its a very precarious material. Many artists develop allergic responses to this substance and are unable to use it. The beauty of water soluble oil paints is that not turpentine or other noxious substances are needed. They can be thinned with plain antique water. Water soluble oil paints conduct just like normal oil paints and your brushes can be cleaned with soap and water, anew, averting the absence to use harsh chemicals.</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/subSilver/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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