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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>0511VENUS87</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Mon 6:25, 23 May 2011<span class="gen"> </span> Post subject: Cool Greys A Year in the Life of William Shakespea</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">Shakespeare Dances on at Tightrope to Avoid Authorities <br />The move was successful, and the new Globe on the South Bank played a critical role in Shakespeare&rsquo;s efforts to present new and very different plays. In addition, the structure was covered, unlike the earlier one, and they can now have plays year-round. <br />Reviewers like Jonathan Bate of the Sunday Telegraph say “&hellip;This is one of the few genuinely original biographies of Shakespeare.” Peter Kemp of the Sunday Times says it is the “product of marathon scholarship, inspired insight,<a href="http://www.airjordanshome.com" target="_blank" class="postlink">Cheap Air Jordans</a>, narrative flair, astute surmise, and searching intelligence-br <br />The book begins as Shakespeare&rsquo;s company, The Chamberlain&rsquo;s Men, is secretly dismantling and moving their playhouse to the South Bank away from downtown London and the hostile city fathers. They are worried they will lose the structure to the landowner, and though their expired lease states they retain ownership of the actual building, they don&rsquo;t want to take any chances. <br />Read on <br />Shakespeare - Elizabethan Playwright and Poet <br />The Different Quartos of Shakespeare's Plays <br />Shakespeare's Legacy in Stratford-upon-Avon <br />Another detail in the book of note is a description of the “jig,” which was the finale in Elizabethan era plays, usually performed by four men, complete with bawdy lines, repartee, dancing singing, and high-spirited comedy. <br />Shapiro gives detailed descriptions of the dramatic political intrigue and grave threat to life and limb writers faced if they wrote the wrong thing. Shakespeare led a charmed life, whereas some of his fellow writers were jailed or worse, but perhaps he was more careful. There are a number of passages in the book showing where he censored his own work to stay out of trouble. <br />Two significant conflicts affect Shakespeare and his plays being written at the time, including As You Like It, Julius Ceasar, and Hamlet. One is the never-ending battle to subdue Ireland and the rebel leader Tyrone,<a href="http://www.meie.tv/blog.php?user=0511VENUS87&blogentry_id=102278" target="_blank" class="postlink">Jordan Cool Greys Symbolism in "Barn Burning"</a>, and the other is Spain&rsquo;s constant threats to invade, since they failed once in 1588. The disaster in Ireland takes up a considerable number of pages, and is a thorn in Elizabeth&rsquo;s side, according to Shapiro. <br />Since Queen Elizabeth&rsquo;s reign was drawing to an end, court intrigue regarding her successor intensified. Shapiro describes the struggle between the queen and her enemies at court. <br />Audience Tradition- "Dancing the Jig" Removed From Shakespeare Plays <br />Irish Rebellion and Invasion of Spain Rich Material for Shakespeare <br />One of the most interesting details is the description of the vast and rambling Whitehall Palace, where Shakespeare and his men presented plays to Queen Elizabeth and the court. The building was full of bizarre art, and objects collected from around the world displayed in “wonder cabinets.” <br />Rave Reviews for A Year in the Life of Shakespeare, 1599 <br />Shakespeare watches all this carefully, especially the clash with the Earl of Essex,<a href="http://www.airjordanshome.com/jordan-cool-grey" target="_blank" class="postlink">Cool Greys</a>, and uses real events to create his masterpieces,<a href="http://leopediastore.com/demo/se3_ajaxsignup/blog.php?user=0511VENUS87&blogentry_id=6260" target="_blank" class="postlink">Jordan Cool Greys Shake The Dust From Off Thy Feet</a>, changing things just enough to avoid censure. A good example was his play, Julius Caesar, in which he managed to make it unclear whether the killing was a good thing, thereby supporting murder of a leader, or a bad thing, condemning the killer. <br />Shakespeare disdained such stunts, and eliminated this audience favorite, and also dismissed a very popular actor that provided most of the talent for jigs. It would be hard to imagine such a performance coming at the end of Romeo and Juliet, for example and Shakespeare knew it had to go. This is where the term “dance a jig” came from.</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/subSilver/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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